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Living Guitars - Let It Be And Other Hits album flac

  • Performer: Living Guitars
  • Album: Let It Be And Other Hits
  • FLAC: 1987 mb | MP3: 1946 mb
  • Released: 1970
  • Country: Canada
  • Style: Pop Rock, Boogaloo, Easy Listening
  • Rating: 4.1/5
  • Votes: 783
  • Format: AAC FLAC MPC AIFF XM VOC VQF
Living Guitars - Let It Be And Other Hits album flac

Tracklist Hide Credits

A1 Let It Be
Written-By – Lennon-McCartney
2:45
A2 Easy Come, Easy Go
Written-By – Hilderbrand*, Keller*
3:20
A3 Spirit In The Sky
Written-By – Greenbaum*
3:07
A4 Bridge Over Troubled Water
Written-By – Simon*
4:04
A5 12 String Drive
Written By – Lit-Cal
2:48
B1 Temma Harbour
Written-By – Lincoln*
3:15
B2 The House Of The Rising Sun
Written-By – Trad.*
4:04
B3 American Woman
Written-By – Cummings*, Peterson*, Kale*, Bachman*
3:08
B4 Oolagoob Boogaloo
Written-By – Caiola*
2:21

Companies, etc.

  • Pressed By – RCA Records Pressing Plant, Hollywood

Credits

  • Arranged By, Conductor – Al Caiola
  • Engineer – Bob Simpson
  • Producer – Ethel Gabriel
  • Sleeve Notes – Henry J. Korn

Notes

Recorded in RCA's Studio C, New York City

Barcode and Other Identifiers

  • Pressing Plant ID: H

Other versions

Category Artist Title (Format) Label Category Country Year
CAS-2425 Living Guitars Let It Be And Other Hits ‎(LP) RCA Camden CAS-2425 Canada 1970
CAS-2425 Living Guitars Let It Be And Other Hits ‎(LP, Album) RCA Camden CAS-2425 Australia 1971


Let It Be 08. Maggie Mae 09. Ive Got Afeeling 10. One After 909 11. The Long And wingding Road 12. For You Blue 1.

The Beatles - Let It Be (1970).

Watch and download free files flac.

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Let It Be Me" (1964). Everett: Getting Mighty Crowded" (1964). Let It Be Me" is a popular song originally published in French in 1955 as "Je t'appartiens" interpreted by Gilbert Bécaud. It became popular worldwide with an English version by The Everly Brothers and later with the duet by Betty Everett and Jerry Butler. 1965 – Brenda Lee on her album Brenda Lee Sings Top Teen Hits. 1965 – Sonny & Cher on their debut album Look at Us. 1965 – The Shadows, on The Sound of The Shadows. He played the song on one of the custom guitars Everly had given to him and the other two members of a-ha in 1987. 2015 – Angelo Seretti recorded a disco version of this song which featured George Aaron. 2015 – Joel Alme and Jill Johnson made a live version of the song in the Swedish television show Jills Veranda.

Let It Be is the third studio album by American rock band The Replacements. It was released on October 2, 1984 by Twin/Tone Records. A post-punk album with coming-of-age themes, Let It Be was recorded by the band after they had grown tired of playing loud and fast exclusively as on their 1983 Hootenanny album; the group decided to write songs that were, according to vocalist Paul Westerberg, "a little more sincere.

Let It Be is the twelfth and final studio album by English rock band The Beatles, released on 8 May 1970 by Apple Records. Issued almost a month after the band's breakup, it was originally conceived as Get Back, a return to their earlier, less complicated approach to music. Rehearsals began at Twickenham Film Studios in London in January 1969 as part of a planned documentary film showing the Beatles preparing to return to live performance.

Let It Be most commonly refers to: Let It Be (Beatles album), 1970. Let It Be" (Beatles song), 1970. Let It Be (1970 film), documentary about the Beatles album. Let It Be may also refer to: Let It Be (2004 film), a Taiwanese documentary about peasant farmers. Let It Be" (Grey's Anatomy), an episode of Grey's Anatomy. Let It Be", an episode of Instant Star. Let It Be (musical), a West End musical using Beatles songs. Let It Be (Green Jellö EP), 1984.

Let It Be is an album released in 1970 by English rock band The Beatles. It is their 12th and final album even though production started before the Abbey Road sessions. Let It Be was an attempt to breathe new life into The Beatles by having them perform together live in the studio rather than record complex arrangements separately and put them together via overdubs. In essence, Paul McCartney wanted them to go back to their roots.

Phil Spector was enlisted in early 1970 to do some post-production work, but did not work with the band as a unit, as George Martin and Glyn Johns had on the sessions themselves; Spector's work was limited to mixing and some overdubs.